{"id":384,"date":"2014-04-03T06:11:18","date_gmt":"2014-04-03T06:11:18","guid":{"rendered":"http:\/\/slowsuburbandeath.com\/?p=384"},"modified":"2014-04-03T06:11:18","modified_gmt":"2014-04-03T06:11:18","slug":"spaghetti-mobster-western-anyone","status":"publish","type":"post","link":"https:\/\/annapirhana.com\/?p=384","title":{"rendered":"Spaghetti mobster western, anyone?"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"&quot;Tomato Pulp&quot; Grindhouse Film 2013 Italian, English Subtitles (Short Movie)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/tPk_oLHMOYg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>\u201cTomato Pulp\u201d, a self-described short exploitation film, is best summed up during the final credits that show a chef assembling a dish of spaghetti pomodoro. <!--more-->Director Joe Goldie serves up some very interesting scenes in his film, but there are far too many visual elements, strange characters and wandering dialogue for something clear and cohesive. In fact, all the odd elements fail to make anything quirky or charming. Instead, the film skirts along early Andy Warhol films without the appeal of a Joe D\u2019Allesandro, finally coming to a rather abrupt and disconnected ending.<\/p>\n<p>Directed by Joe Goldie, \u201cTomato Pulp\u201d is a spaghetti western on drugs, with most film convention thrown out the window. None of it detracts from the flow of the story because the film is fascinatingly chaotic, only revealing one simple truth: the characters are wholly unlovable. When it comes to exploitation, scripts tend to overdramatize, allowing conversations and declarations to skirt along the line of absurd and wonderful. In \u201cTomato Pulp,\u201d however, most of the dialogue is what one would hear from a group of 16-year-old boys who have just discovered internet sex and bad words. Thankfully, the film\u2019s odd ball drag queen manages to tie the film into a volatile, cracked package.<\/p>\n<p>The exploitation is in the action, where \u201cTomato Pulp\u201d manages to live up to its billing. Unfortunately, it arrives without making much sense. Still, Goldie makes use of interesting film angles and mise en scene to build good elements within the story to keep the film from derailing whenever dicey artistic elements are introduced. The end result is utterly loveable, pitfalls and all, and a bold entry into the brave new world of spaghetti exploitation westerns.<\/p>\n<p>Because of the amount of nudity, this film is probably not safe for children, although the body parts are stiff, mummified silicone. In other words, it doesn\u2019t jiggle naturally, but you will be treated to something that looks like the San Onofre Nuclear Generating Station near San Diego.<\/p>\n<p>Cultural points: There is plenty of spaghetti, including a cooking lesson, along with the chance to learn new swear words in Italian. Also, Italian guys.<\/p>\n<p>Available on Youtube at <a href=\"\/\/www.youtube.com\/watch?v=tPk_oLHMOYg\u201d\">http:\/\/www.youtube.com\/watch?v=tPk_oLHMOYg<\/a>.<\/p>\n<p>\u201cTomato Pulp\u201d (Italy)<br \/>\nDirector: Joe Goldie<br \/>\nPhotography: Silvio Orlandi<br \/>\nScreenplay: Alessandro Iacovaccio, Silvio Orlandi, Joe Goldie<br \/>\nCast: Claudio Mulas (J.J.), Enzo Perrotta (Johnny), Marco Silocchi (Lince), Alex Bakstley (Pilone), Matt Ice (Biondo), Anna Tapu (Margot), Kimberly Logan (Genevieve).<\/p>\n<p style=\"text-align:center;\">(c)2014 Slow Suburban Death.\u00a0 All rights reserved<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cTomato Pulp\u201d, a self-described short exploitation film, is best summed up during the final credits that show a chef assembling a dish of spaghetti pomodoro.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":[],"categories":[13,14,16,26,32,42],"tags":[97,125,171,223,284,300,322,346,347],"_links":{"self":[{"href":"https:\/\/annapirhana.com\/index.php?rest_route=\/wp\/v2\/posts\/384"}],"collection":[{"href":"https:\/\/annapirhana.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/annapirhana.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/annapirhana.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/annapirhana.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=384"}],"version-history":[{"count":0,"href":"https:\/\/annapirhana.com\/index.php?rest_route=\/wp\/v2\/posts\/384\/revisions"}],"wp:attachment":[{"href":"https:\/\/annapirhana.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/annapirhana.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/annapirhana.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}